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Control or Joy?
by Alan Watts.
Ultimately,
of course, it is absolutely impossible to understand and appreciate our natural
universe unless you know when to stop investigating.
In our restlessness, we are always tempted to climb every hill and cross
every skyline to find out what lies beyond -- yet as you get older and wiser it
is not just flagging energy but wisdom that teaches you to look at mountains
from below, or perhaps just climb them a little way. For at the top you can no
longer see the mountain. And beyond, on the other side, there is, perhaps, just
another valley like this.
An old aphorism from India says, "What is beyond, is that which is also
here."
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And you must not mistake this for a kind of blasé boredom, or a tiring of
adventure. It is instead the startling recognition that in the place where we
are now, we have already arrived.
This is it.
What we are seeking is, if we are not totally blind, already here.
For if you must follow that trail up the mountainside to its bitter end, you
will discover that it leads eventually right back into the suburbs. But only an
exceedingly stupid person will think that is where the trail really goes. For
the actual truth is the trail goes to every single place that it crosses, and
leads also to where you are standing and watching it. Watching it vanish into
the hills, you are already in the truth beyond, which it leads to ultimately.
Many a time I have had intense delight listening to some hidden waterfall in
the mountain canyon, a sound made all the more wonderful since I have set aside
the urge to ferret the thing out, and clear up the mystery. I no longer need to
find out just where the stream comes from and where it goes. Every stream, every
road, if followed persistently and meticulously to its end, leads nowhere at
all.
And this is why the compulsively investigative mind is always ending up in
what it believes to be the hard and bitter reality of the actual facts. Playing
a violin is, after all, only scraping a cat's entrails with horsehair. The stars
in heaven are, after all, only radioactive rocks and gas. But this is nothing
more than the delusion that truth is to be found only by picking everything to
pieces like a spoiled child picking at its food.
And this is also why the Platos of the Far East so seldom tell all, and why
they avoid filling in every detail. This is why they leave in their paintings
great areas of emptiness and vagueness, and yet the paintings are not
unfinished. These are not just unfilled backgrounds, they are integral parts of
the whole composition, suggestive and pregnant voids and rifts that leave
something to our imagination. And we do not make the mistake of trying to fill
them in with detail in the mind's eye. We let them remain suggestive.
So it is not by pushing relentlessly and aggressively beyond those hills that
we discover the unknown and persuade nature to disclose her secrets. What is
beyond is also here.
Any place where we are may be considered the center of the universe. Anywhere
that we stand can be considered the destination of our journey.
To understand this, however, we have to be receptive and open. In other
words, we have to do what Lao-tzu advised when he said that while being a man
one should also preserve a certain femininity, and thereby one will become a
channel for the whole universe. And this is not just good advice for men.
Yet that is one of the misunderstandings in which I believe our culture in
the West is submerged. The feminine values are despised, and we find typically
among men a strange kind of reluctance to be anything but an all-male man.
But there is a tremendous necessity for us to value -- alongside, as it were,
the aggressive, masculine element symbolized by the sword – the receptive
feminine element symbolized, perhaps, by the open flower. After all, our human
senses are not knives, they are not hooks; they are the soft veil of the eye,
the delicate drum of the ear, the soft skin on the tips of the fingers and on
the body. It is through these delicate, receptive things that we receive our
knowledge of the world.
And therefore it is only through a kind of weakness and softness that it is
possible for knowledge to come to us.
To put it another way, we have to come to terms with nature by wooing her
rather than fighting her, and instead of holding nature at a distance through
our objectivity as if she were an enemy, realize rather that she is to be known
by her embrace.
In the end, we must decide what we really want to know about.
Do we trust nature, or would we rather try to manage the whole thing?
Do we want to be some kind of omnipotent god, in control of it all, or do we
want to enjoy it instead? After all, we can't enjoy what we are anxiously trying
to control. One of the nicest things about our bodies is that we don't have to
think about them all the time. If when you woke up in the morning you had to
think about every detail of your circulation, you would never get through the
day.
It was well said: "The mystery of life is not a problem to be solved,
but a reality to be experienced."
The song of birds, the voices of insects, are all means of conveying truth to
the mind. In flowers and grasses we see messages of the Tao.
The scholar, pure and clear of mind, serene and open of heart, should find in
everything what nourishes him.
But if you want to know where the flowers come from, even the, god of spring
doesn't know.
This
article is excerpted from What Is Tao?, ©2000, by Alan Watts. Reprinted
with permission of the publisher, New World Library, Novato, CA 94949. www.newworldlibrary.com
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About the Author
Alan
Watts was born in England in 1915. Beginning at age sixteen, he developed a
reputation as a foremost interpreter of Eastern philosophies for the West. He
became widely recognized for his Zen writings and for The
Book: On the Taboo Against Knowing Who You Are.
In all, Watts wrote more than twenty-five
books and recorded hundreds of lectures and
seminars. He died in 1973 at his home in northern California. A complete list of
his books and tapes may be found at www.alanwatts.com.
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